I can't remember exactly when it was, but my first-ever festival was when I performed at Fuji Rock.

I was amazed by everything—the huge crowd, the scale of the venue, the refreshing feeling of being outdoors, and the sense of unity created by the live performance.

There's nothing quite like performing under the blue sky while basking in the sunlight.

Lee Perry.

Nothing in particular.

I had a really great time, so I'd like to keep participating actively in the future.

There are many fascinating performers, including some I know personally.

We’ll be bringing you lots of great music again this year, so please look forward to it.

I think it's that sense of unity that you can only experience at a live show.

My first-ever jazz festival was the one held in Yubari in either ’82 or ’83. I went to see Herbie Hancock and Jimmy Cliff at that festival. I was especially looking forward to Herbie’s band, *Rock It*, and the scratch DJ and DST.

The music and the weather were both great.

It’s not just the sound setup—outdoor venues also offer a greater sense of musical expansiveness. Since the music at clubs and festivals is completely different, it helps you switch gears, and festivals have their own unique appeal.

It varies depending on the festival's theme and genre, so it's hard to pinpoint.

Mountain festivals have a heavy vibe, like jazz or deep house, whereas beach festivals are better when they have a more laid-back feel—that trendy Balearic sound.

My first impression was that it was a very stylish party. The DJ booth’s design really stands out from the rest, and the food booths are great too—they’ve really paid attention to every detail.

It's the same as the answer above.

This will be my third time performing here, but since the venue is different from last time, I think the vibe will be different too. So, I want to choose music that will really get the audience hooked and get the party going. Since I’ll be performing with MURO this time, I’d like to try a set that CAPTAIN VINYL doesn’t usually do.

A sense of openness. That says it all.

A friend of mine was performing at Senko Riot 2010 (held on August 1, 2010, at the Tokyo Big Sight Outdoor Stage), so I went to cheer him on.

Not only was the audience’s enthusiasm different, but the performers’ energy also felt distinct from what you’d find at a live music venue. I was really moved when I saw a singer-songwriter perform with just an acoustic guitar against the backdrop of the setting sun.

I think the emotional destination is different for indoor and outdoor venues. Indoors, since the view is limited, I think the direction of that emotional impact shifts based on subtle differences—like the moment when the lighting and performance click perfectly, the way the vocals resonate depending on the PA system’s capabilities, or the VJ’s performance. It’s an experience where the audience passively receives the emotional impact created by the performers and the venue staff. At outdoor festivals, the view stretches out infinitely. Even when watching the same performers, the experience is influenced by the time of day and the weather. With so many acts and a wealth of content beyond just music, you have many choices about which elements to engage with. Since countless sources of emotional impact lie hidden there, I’d say outdoor festivals have a more active, participatory feel.

Isn't that true for everyone who loves music and wants to have a blast?

Jay Prince, “In the Morning”

It's easily accessible from downtown, and I thought it would be a fun place to enjoy with my family.

Since this is my first time attending, I’m not sure yet, but since it’s a relatively new festival, I’m hoping they’ve taken inspiration from various other festivals and put together the best elements to create something great. I’ve heard there are lots of hot spring facilities near the venue, so I can’t wait to soak in the hot water (lol).

“Since our concept is ”Be-In CAMPus = Let’s Learn and Play Together,” I imagine there will be a lot of families here. So, I’d like to choose songs that connect with the audience while still staying true to my own style. Let’s just relax and dance together!

Experiences and emotions. And the many memories you create with the people you come with.

I think it was the “FUJI ROCK” festival held in 1999. Back then, the festival scene wasn’t as big as it is now, and since I was still in middle school, I went for the first time out of curiosity with a friend who loved Western music.

Even though I hardly knew any of the artists performing that day, I just danced my heart out in the front row. That’s when I truly realized firsthand that a music festival is a place where you can discover artists you’ve never heard of before.

The sound seemed louder than it does indoors. Since I was used to sound bouncing off the walls, I think the sheer pleasure of hearing sound carry endlessly through the air is something unique to outdoor festivals.

I guess it's the Red Hot Chili Peppers. All things considered, they're the band I've seen the most at festivals so far.

It's Fishbone's “Party At Ground Zero.” As the title suggests, I think the festival is "Party At Ground Zero."

With its relaxed atmosphere and laid-back schedule, I think it offers a high-quality experience that even first-time festival-goers will find comfortable. I think it would be fun to use “THE CAMP BOOK” as a starting point to explore all kinds of other festivals.

It’s the fact that it’s not overcrowded. When there are too many different things going on all at once, it can be confusing for both the performers and the audience. People might say things like, “I wanted to see that too, but the times overlapped so I couldn’t,” or “The crowds are just too intense—it’s exhausting.” Of course, there’s a certain fun to that, but I feel like there are also things that get sacrificed in the process (laughs).

The band’s chemistry has really come together as we’ve played more shows, so I’d be thrilled if you could experience the real mabanua at “THE CAMP BOOK.”

It’s not about focusing on this or that specific thing—it’s simply about fully enjoying the atmosphere of the moment. I think that’s what it all comes down to.

In 2004, I performed at Summer Sonic and SET STOCK. Those were the first music festivals I ever attended.

Watching N.E.R.D. rehearse, seeing NAS and Jurassic 5 perform on stage—and having Hiroto Kamoto take my picture. That series of life-changing experiences is still deeply etched in my memory.

Clubs and live music venues are part of everyday life and absolutely essential. I feel that outdoor festivals are a rare treat.

That's Chara and PUSHIM, right?

Swallowtail Butterfly “~Song of Love~”

Since this festival attracts a wide range of people, I decided to participate this time.

It's a place packed with a lot of content.

I’d like to put on a concert that helps everyone—from kids to adults—discover the joys of music, even if just a little.

A sense of openness.

I think it was something like "Metamorphosis" from about 18 years ago.

I remember it being a lot of fun.

I feel like both have their merits. It feels like they create a different kind of sense of unity, and I really like the groove of each one.

Denki Groove.

Hmm, it depends on the situation, so I can't really say for sure...

I had a really great time. I loved being able to camp, chat with all kinds of people, and listen to great music.

I'm not really one for making comparisons, but I guess what makes this festival so great is its cozy, homey atmosphere that lets you enjoy yourself without feeling self-conscious.

Since the venue is changing this year, I'm looking forward to seeing what kind of new venues and events there will be!

Is it love? I feel like it’s something filled with everyone’s love.

This is “GO OUT CAMP,” which took place about 8 to 9 years ago. At the time, I was working at a PR firm that handled a certain outdoor brand, and that was my first time participating by setting up a booth. That’s when I became interested in the outdoors and festivals.

I remember that everything was a first for me, so whatever I did was fun. I think I might have been grinning from ear to ear the whole time (lol). Also, since I’m from Okinawa, I was surprised at how cold it was at the foot of Mount Fuji, and I really felt the power of nature.

I’m not that knowledgeable about it, but intuitively, I always feel like the sound is completely different. Indoors, the reverberation varies depending on whether the venue is large or small, and how the sound comes across depends on where you’re standing. Outdoors, they use sound systems that are large enough to produce good sound, so the sound quality is better—personally, I prefer listening outdoors.

That’s Atsushi Hasebe (former editor-in-chief of GOODS PRESS), isn’t it? I always get the sense that he looks at festivals from various angles and analyzes the artists’ live performances.

SPECIAL OTHERS.

During the day, I took it easy, went to see some live performances, and had some meals—I really had a great time. At night, CAPTAIN VAINL and Takkyu Ishino were performing, and the indoor venue, which had been transformed into a club, was amazing!

The venue had a relaxed atmosphere and felt really cozy. Compared to other festivals, there was plenty of space to set up tents!

I’m looking forward to soaking up the same great vibes and atmosphere as last time, and I’m ready to give it my all at work again! I hope the venue is close to the parking lot.

Soak up the great outdoors and music to recharge your energy!