Boolog A Go-Go!
石光 史明
VISUAL CONNEXION C.E.O
NY発のヴィジュアル誌、VISIONAIRE<ヴィジョネアー>の日本総代理店を営んでいますが、最近はもっぱら映画鑑賞家として「つぶやいて」います。昨年は自腹観賞232本! 今年も観まくるぞぉ~♪
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Indefinitely...
2011.12.25
William runs, searching. At last finds the room, and enters.
INT. LANCASTER ROOM - DAY
Huge room -- full of press. Row after row of journalists,
cameras at the front, TV cameras at the back. Anna clearly
gives press conferences very rarely, because this one is
positively presidential. She sits at a table at the end of the
room, beside Karen: on her other side is Jeremy, the PR boss,
firmly marshalling the questions.
JEREMY
Yes... You -- Dominic.
QUESTIONER 1
How much longer are you staying in the
UK then?
ANNA
No time at all. I fly out tonight.
She's in a slightly melancholic and therefore honest mood.
JEREMY
Which is why we have to round it up now.
Final questions.
He points at a journalist he knows.
QUESTIONER 2
Is your decision to take a year off
anything to do with the rumours about
Jeff and his present leading lady?
ANNA
Absolutely not.
QUESTIONER 2
Do you believe the rumours?
ANNA
It's really not my business any more.
Though I will say, from my experience,
that rumours about Jeff... do tend to
be true.
They love that answer, and all scribble in their note books.
Next question comes from someone straight right next to
William.
QUESTIONER 3
Last time you were here, there were some
fairly graphic photographs of you and a
young English guy -- so what happened
there?
ANNA
He was just a friend -- I think we're
still friends.
JEREMY
Yes, the gentleman in the pink shirt.
He is pointing straight at William, who has his hand up.
WILLIAM
Yes -- Miss Scott -- are there any
circumstances in which you two might be
more than just friends?
Anna sees who it is asking.
ANNA
I hoped there might be -- but no, I'm
assured there aren't.
WILLIAM
And what would you say...
JEREMY
No, it's just one question per person.
ANNA
No, let him... ask away. You were
saying?
WILLIAM
Yes, I just wondered whether if it
turned out that this... person...
OTHER JOURNALIST
(to William)
His name is Thacker.
WILLIAM
Thanks. I just wondered if Mr. Thacker
realized he'd been a daft prick and got
down on his knees and begged you to
reconsider, whether you would...
reconsider.
We cut to Max, Bella, Bernie and Honey, all watching. Then back
to Anna.
ANNA
Yes, I'm pretty sure I would.
WILLIAM
That's very good news. The readers of
'Horse and Hound' will be absolutely
delighted.
Anna whispers something to Jeremy.
JEREMY
Dominic -- if you'd like to ask your
question again?
QUESTIONER 1
Yes -- Anna -- how long are you
intending to stay here in Britain?
Pause. Anna looks up at William. He nods.
ANNA
Indefinitely.
They both smile -- suddenly the press gets what's going on --
music -- noise -- they all turn and flash, flash, flash photos
of William. Max and Bella kiss. Bernie kisses a total stranger.
Spike finally makes it -- he's bright red from running.
SPIKE
What happened?
HONEY
It was good.
Honey hugs him. It's a new experience for Spike.
Cut to William's face -- flash after flash -- still looking at
Anna. They are both smiling.
INT./EXT. THE HEMPEL ZEN GARDEN WITH MARQUEEN - DAY
Anna and William at their wedding -- they kiss and walk into the
crowd.
Honey, a bridesmaid in peach satin -- she is surrounded by at
least four other bridesmaids, all under five.
Nearby, Tony standing, glowing, beside his fabulous,
pyramidical wedding cake.
William's mother is not quite happy with how he's looking. She
tries to brush his hair.
Max, dressed in the most devastating Bond-like white tuxedo is
dancing with Anna -- thrilled. He does a rather flashy little
move. Cut to Bella who is watching and laughing.
Martin, in an awkward tweed suit, is jiggling to the beat of a
song, entirely happy in the corner.
EXT. LEICESTER SQUARE - NIGHT
A huge premier -- screaming crowds -- Anna and William get out
of the car, she holding his hand -- looking ultimately gorgeous
-- he in a black tie that doesn't quite fit. He's startled.
EXT. GARDEN - DAY
A pretty green communal garden. Children are playing, watched
by mothers, one of whom holds a new baby in a papoose. A very
old couple wander along slowly.
A small tai chi group moves mysteriously. And as the camera
glides, it passes a couple sitting on a single, simple wooden
bench overlooking the garden. He is reading, she is just
looking out, totally relaxed, holding his hand, pregnant.
It is William and Anna.
THE END
Screenplay by Richard Curtis
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