Hour Legacy's rapid progress. The challenge as described by its central figure.

"OUR LEGACY" Founder Jockum Hallin on the DOVER STREET MARKET GINZA

Hour Legacy's rapid progress. The central figure talks about the challenge.

In late October, Jochum Harin, creative director of Our Legacy, visited Japan. The purpose of his visit was to do an installation of the "Workshop" project at "Dover Street Market GINZA," which will be presented for the first time in Japan. We asked him for some time to talk in detail about his unique attempt to realize sustainability in fashion, including his own creations nurtured from underground culture.

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Yochum Harin.

In 2005, he founded the men's brand "Hour Legacy" with his friend Christopher Nyin in Stockholm, Sweden, and in 2007, he brought in Ricardos Kralen as designer and co-owner. In the same year, the brand's first full collection won the hearts of young people, and the following year, the brand opened a store in Stockholm. The brand's unique and modern pieces, based on classic men's clothing and made with original fabrics and techniques, have gained a following:jockum_ourlegacy

. a mentality forged in the underground cultural scene.

The designs of "Hour Legacy" are unobtrusive. As if to say that it is not cool to make an exaggerated, barking assertion, it is somehow understated, subtle, elegant, and light, blending into one's everyday wardrobe before one knows it. However, if you look behind the scenes at the universally appealing design, you will gradually see the detailed design, smart use of materials, and intelligent concept. It is a kind of design with a playful touch of universality, practicality, and authenticity, similar to the work of master Scandinavian designers such as Erik Gunnar Asplund, Finn Juhl, and Alvar Aalto.

Founded in 2005 in Stockholm, Sweden, the three creators of Our Legacy - Christopher Nyin, Jochem Hallin, and Ricardos Kralen, who joined them later - were never trained or educated as fashion designers. The only thing they have in common is their upbringing in street culture, whether it be music, graphic design, or skateboarding.

We were all trained in the DIY mentality in the underground cultural scene . From a young age, we learned through experience how to realize what we wanted to do and how to make things happen. In such a scene, it is not so much what you wear, but how you wear it that is most important, and through that, you are expected to express who you are.

Jochum, who was in Japan for an event at Dover Street Market GINZA and serves as the brand's spokesperson, says in a shy tone of voice, "I'm a former musician born in 1980. He is a "former musician born in 1980," and there is an air of dignity and humility about him. When I ask him, "Who are your role models? When I asked him, "Who are your role models?" he shut his mouth for a moment and then answered, with a serviceable spirit, as if he could see through our intentions.

Many designers probably have a goal of becoming that kind of brand, but we have never thought of it that way. If we think it's the best for us, we do it, and that's it. However, if I had to say so, I would say that I am influenced in no small way by Acne Studios, who also hails from Stockholm. They, too, started as a creative agency, not as a fashion brand, and they are always taking on new challenges without being at the mercy of the conventions of the fashion industry.

While ACNE STUDIOS started with denim, Hour Legacy began with graphic T-shirts. Within two years of its founding, the brand had grown into a fashion house that presented a full collection, and in 2008, it opened its first flagship store in Stockholm. Jochem explains his meteoric rise in a very understated tone of voice: "I've been working on this for a long time, and I've been very successful.

The flagship store sounds like an exaggeration, but it was the most pragmatic decision we made at the time. We wanted a place to experiment with new things, and since we don't present on the runway, we needed an outlet to express the Hour Legacy universe. It started as more of a cooking lab than a store.

However, their rapid growth continued with the opening of another flagship store in Stockholm in 2012, followed by a store in Gothenburg, the capital of Sweden's province. In 2014, they opened their first overseas flagship store in London, and in October of this year, their Berlin store was completed. When one hears that they have opened five stores in less than 10 years, one can't help but think that they must be backed by some big money, but it is surprising to hear that they have made it this far using only their own funds.

. We are actually very conservative. . Each step is decided by the three of us with great care. For example, if this season was very successful, we might want to try a new experiment next year. We are all self-financed, so we have to take our steps carefully."

An installation of "Our Legacy" at Dover Street Market GINZA in late October. It was the brand's first "workshop" project in Japan, and Hank Gruner, the brand's illustrator and graphic designer, drew illustrations and customized vests on the spot. . Jockem live-streamed the project on social networking sites, which was cute.

. a new experiment in fashion sustainability.

The name "Hour Legacy" makes sense, considering that they were born in the bubble era of the 1980s and spent their youth in the 1990s, when the bubble burst and people were forced to rethink their values. The name "Our Legacy" makes sense, since they were born in the bubble era of the 1980s and spent their youth in the 1990s, when the bubble burst and they were forced to reexamine their sense of values.

. but I don't want to be nostalgic. I think it's more contemporary to wear an updated, progressive idea.

Indeed, they are both conservative and progressive. This is truly evident in the "Workshop" project, a concept that is typical of the Scandinavian brand, which is pushing forward toward the realization of a recycling-oriented society. The "Craft" project is a new incarnation of the "Hour Legacy" archives by hand-painting, patchworking, etc.; "Deadstock" is a collection from the past sold at a discount; "Samples" are samples made for exhibitions and photo shoots; "Recycled" is a further modification of "Deadstock"; and "Recycled" is a collection of leftover fabrics combined as puzzles. The "upcycled" collection is made by combining surplus fabrics like a puzzle, the "kids" collection is based on the same concept as the "upcycled" collection, the "legacy" collection resells vintage clothing from "Our Legacy" and customers, and finally, the "reference" collection consists of vintage clothing that inspired the collections. Finally, there is "Reference," a new experiment in fashion sustainability that consists of nine themes, including the vintage clothing that was the inspiration for the collection.

We always want to combine our ideal design with environmentally friendly manufacturing, but there are times when this is not possible. For example, we cannot find sustainable fabrics that match our designs, or we inevitably waste products in the manufacturing process, or we end up with products that remain unsold. However, I didn't want to turn a blind eye to these situations as a "sacrifice of creativity," and that's how the concept of the "workshop" was born. The words "sustainability" and "fashion" seem to contradict each other, but we believe that both are possible. We are here to offer something sustainable, cool, and inspirational.

They are not looking at trends that will be obsolete in a week, but at "legacies" that have been handed down from the past to the present and into the future. . Because they are independent brands, they are able to inspire people with ideas that larger maisons are unable to experiment with.

A chic above-the-knee length leather coat. . ¥110,000+TAX

. The playful illustration by Hank Gruner on a deerskin jacket is striking. . a bold remake of an archival one. ¥111,000+TAX

A sweatshirt parka that was an archive item with a used look. The "Workshop" logo is printed on the chest. ¥15,000+TAX

This knitwear is finished to the texture of old clothes. . ¥20,000+TAX~¥26,000+TAX

A remake of the "All Star" from "Converse". Dyed in orange, the brand's key color, and with the "Workshop" mark on the side of the shoe. ¥14,000+TAX

Record sheet with the word "Workshop" printed on it . . ¥3,000+TAX

Edstrom Office

Phone: 03-6427-5901
www.ourlegacy.se

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