Not someone who is a fashionista, but someone who is more content on the inside than dressing up. People who have their own style and are respected for what they do and think. Huinamu calls such people "hip. And one of the ideal cities for hip people is Portland, Oregon in the United States. Portland is the home of NIKE, a well-known brand in the United States.
The design studio and gallery based in such a hip city, Portland, "FISKBijan Berahimi and his team at JOON have launched JOON Magazine, a magazine that weaves together the culture of Portland.

Bijan Berahimi (@bijanberahimi)
Cover of the first issue
JOON" means life in Persian and is often used as a term of affection. JOON Magazine is filled with stories that explore the creative culture of Portland, a city that Bijan Berahimi and the other members of the JOON team love. They will continue to shed light on Portland's exciting and wide-ranging art scene.
In the first issue,Dodgr., Maak Lab, Broccoli Magazine, Wilhelm's Memorial Home,. Teruo Kurosaki, Lever Architecture, Manu Torres, Kee's #Loaded Kitchen, James Enos,. Kamp Grizzly, Brown Printing, Dawson Park, and others in and around Portland.
To celebrate the first issue, a launch party will be held at the "MIDORI.so2 Gallery" in COMMUNE OMOTESANDO. This is a rare opportunity to be among the first to see "JOON Magazine". Huinamu readers who will be in Tokyo at the end of the year are welcome to attend!
NEAT TRUNK SHOW
Date: Saturday, December 28, 16:00 - 20:00
Place: MIDORI.so2 Gallery (in COMMUNE OMOTESANDO)
Address: 3-13 Minami-Aoyama, Minato-ku, Tokyo (2-minute walk from Omotesando Station Exit A4 on the Tokyo Metro)
Organized by MIDORI.so 02 GALLERY
Email:info2@midori.so
instagram.com/commune_omotesando/
instagram.com/midoris0/
JOON Magazine
Sales price: ¥3,000 in TAX *Launch price on the day of the event
*Sales will continue after the event at KIOSK and other locations in COMMUNE OMOTESANDO (¥3,300)
Number of pages: 160
Size: 22.86 x 30.48 cm
Scheduled to be published once or twice a year
Language: English (only the article by Teruo Kurosaki is bilingual in English and Japanese in the first issue)