H, a web magazine run by Huinamu and stylist Akio Hasegawa, showcased his implied culture and unflagging inquisitiveness.Masanobu Sugatsuke, EditorThe following is a list of the most common problems with the
We are pleased to announce the launch of an international online course from South Korea, "ColosoAt the end of July, Mr. Sugatsuke will begin a 20-session editing course, "Editing: Learning from the Three Elements and Three Concepts," at the
As for the usefulness of the act of editing.This ColumnandThis dialogue in "AH.H."As detailed in the following article, Mr. Sugatsuke has been taking various actions to pass on his footsteps and experiences to the next generation.
This course will explain various creations from the past, present, and future, as well as my own works, using visuals and videos to answer the question, "What is editing? What is creation? and "How can we be creative? and "How can we be creative?
The following are just a few of the creative projects that Mr. Sugatsuki has worked on.
Composite" Vol.1 (Hougado) 1992
Editor in Chief: Masanobu Sugatsuke AD: Makoto Suzuki & Hideki Nakajima Cover Photo: Satoshi Nanatane
Invitation" first issue ( Pia) 2002
Editor in Chief: Masanobu Sugatsuke AD: Fumikazu Ohara Photos: Naoki Tsuruta
Ryuichi Sakamoto's music label "COMMMONS" website (Avex) 2007
CD: Masanobu Sugatsuke Web Design: Kaie Murakami
Masanobu Sugatsuke, A World Without Lust (Heibonsha), 2015
Binding: Groovisions
Metro Minute" September 2010 issue, special feature "Haneda Now."
CD: Masanobu Sugatsuke AD: Groovisions Photo: Kishin Shinoyama
Kishin Shinoyama, "Roppongi Hills x Kishin Shinoyama" (Gentosha) 2006
Editing: Masanobu Sugatsuke AD: Hideki Nakajima
Masanobu Sugatsuke, Between Eternity and Fashion, Heibonsha, 2022.
Binding: Groovisions
Again, the act and concept of editing is not only useful for editors. It is a method that applies to all creators. If you are interested, please take the course.