FEATURE | TIE UP

Translated By DeepL

Fusion of design and performance. A Fashion Designer Talks about the Hidden Potential of Zigkinetica Vol.02
Featuring ZIG KINETICA CONCEPT TYPE 1

Fusion of design and performance. A Fashion Designer Talks about the Hidden Potential of Zigkinetica Vol.02

In order to maximize the performance of athletes, sports brands are applying various technologies to their products. The ZIG KINETICA CONCEPT TYPE 1 released by Reebok is one such product. The ZIG KINETICA CONCEPT TYPE 1 is the successor to the ZIG TECH, which boasted such high performance that it was banned from being worn in certain marathon competitions. The design was created by Ian Paley of Garbstore, who has a close relationship with this brand. We asked fashion designers who have collaborated with Reebok in the past to inspect this new model, which combines performance and stylish design. Joining us this time is Kohei Ohkita of "VINL ARCHIVE".

  • Photo_Kazumasa Takeuchi [STUH].
  • Text_Yuichiro Tsuji
  • Edit_Hiroshi Yamamoto

I started the collaboration because I wanted to know what was out there .

What kind of image did you have of Reebok as a sports brand?

Great North:There is a sense of "inattentiveness" (laughs) , in a good way, of course. On the other hand, I have the impression that you are creating high-tech features one after another, such as the "pump system" and the new "jig system. I like cars, so I think sneakers are similar to cars. I like to look at them from the back or from the side.

Mr. Ohkita designed the DAYTONA DMX VA. He said, "I was conscious of creating a unique coloring while inverting the original color.

What were you thinking when you collaborated with "Reebok Classic"?

Great North:I thoroughly researched the brand, from shoes to everything else, digging through the archives. I collaborated with "CLUB C" and "DAYTONA DMX," but what kind of colors did they use? I looked at all the color variations in the lineup. . And then I looked for gaps in the color range.

You mentioned earlier that you were "shutting out information," but on the other hand, you acquired information through collaboration.

Great North:That's a mean thing to say (laughs). . Yes, it is. The challenge was to find a way to differentiate ourselves and create something new by looking at the history and coloring of the items we have made so far, while borrowing the signature of another company. . I wanted to create something that Reebok Classic didn't have. While pursuing a self-contained approach in the Vinyl Archive, I really wanted to know what was out there, which is why I started collaborating with Reebok Classic. . However, I felt that working with such a global brand was a higher hurdle than I had imagined.

Hurdles?

Great North:Like the lot, the marketing strategy was totally different from what I had in mind. . But I had to think about how to survive there. In a sense, I was working as if I was in a battle (laughs). After all, the scale of the company is large, and it has to sell well. Even if a product sells in the heat of the moment, you will not be approached by the next company. It's funny, but I wanted the brand to like me, and I wanted to step up my game.

. The collaborative model was developed not only in Japan but also globally, wasn't it?

Great North:I asked him if he wanted to do it that way. I dared to take the hard road myself.

What is it that you wanted to do, even if it meant putting yourself in a difficult environment?

Great North:I wanted to propose something that other companies could not do, including shoe design as well as visual production. I like to create such a total story. It was a great encouragement for me to know that people not only in Japan but also overseas liked my work.

INFORMATION

Reebok Online Shop

reebok.com

Reebok adidas Group Customer Service

Phone: 0570-033-033 (Phone reception: 9:30-18:00 on weekdays)

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